You can push it further by moving further up on the thin e string. thick e to d string and back down leaving off the first 2 notes you started with which leaves the thick E out and ascend to include the G string then descend to exclude the A string and ascend to include the B string etc etc. The beginning of Serrana by Jason Becker does it on the extremely fast scales. Run scales ascending and descending but only do it over 3 strings at a time. This give a very good start to creating melodic phrasing. Songs you like are songs you can add to regardless if you view the song as being already a finalized cut of the song. The best advice I can give for adding dynamics to your playing is create a solo over normal songs that don’t have them. I am now 38 and been playing since I was 14. If you’re just ripping these out the whole time without good spacing and techniques you’ll be emotionally flat.īasically, learn the basics inside out and then just close your eyes and open your soul and sing with the guitar! If you’re not emotionally vested, how is the listener supposed to be.
NonUniformity….Nothing, and I MEAN NOTHING, sounds better than tastefully ripping off a minor pentatonic lick that has been slowly (or not so slowly) built up to (thank you Jimmy Page). Intensity can lose meaning if it’s overdone. Even if it’s hard driving and intense, occasional spaces of less intensity or even nothing actually add to emotional intensity. Space…Give the listener time to absorb enjoy what mood you’re putting out. And don’t be afraid to mix and match different vibratos for different “feels”. Vibrato….BB King, SRV, David Gilmour all have their own for a reason, so should we. Shredding and burning riffs just because you can does not sound good or impressive, imho.īends….different bends (1/4, 1/2, full, etc) at the right time can evoke emotion like nothing else. Try to make it “feel vocal”.īends, vibrato, space and non uniformity (not all the same ie uniform). Make me cry, laugh, hurt, whatever but make me feel something as the listener. Share your thoughts below and hopefully we can all learn something from the discussion! So – how do YOU add dynamics into YOUR playing? I’m right in the middle of creating a brand new course that will be at least partially addressing this important subject, so I’ve got some thoughts of my own on the subject, but I really wanted to get the discussion going here, and open it up to YOU. The question is – how do go about doing the same things on guitar?
Thankfully, we have all kinds of natural inflection in our voices: we change pitch (that refers to the notes played) but we also change the volume, intensity, and the speed with which we talk, depending on what and how we’re trying to communicate. If we all spoke in monotone voices, the world would be a boring place to be. Most of the time, you’ve got a simple chord chart – at best – and somehow you have to make it sound good – you have to interpret it for yourself. But in 99% of popular music today, you’re not going to find written music that is accurate to that level of detail. In proper written music, you’ll find this already present, with terms like crescendo, decrescendo, staccato, and many, many others.
Dynamics is the often unwritten, un-talked-about element that makes a song go from the depths of a valley all the way to soaring mountain vistas…. There’s much more to music than simply the tune itself. Sure, you could make it play a recognizable tune, but there were zero dynamics! Music without dynamics is a bit like listening to music coming out of a 1980’s computer that could just do beeps. Ĭross Hammering cross hammering Extended hammer-on/pull-off. Sustains, mutes, harmonics, fast grace notes release samples.Įxtended Hammer-on/Pull-off+ hammer-on pull-off. Trill tails, Trills, Trill tails, - (). Velocity 1-59 Trills "G", Buzz-trills "D". Hammer-on/pull-off, 1-2, F#0.įast Grace Note ( ), hammer-on. velocity 40, Sustain Mutes ( ), velocity 15, harmonics ( ). : Bridge, Both Neck fingered, slapped -,.
Scarbee Jay-Bass J-Slapn Fingered, scripting, MM-Bass. 5, Vintage Keyboard Collection Vintage Keyboard FX! Jay-Bass 2007, MM-Bass.